DELIVERY 3 - Okabe

 
 

 

 

ASTRONOMICAL INTERPRETATION OF THE ALIGNMENT
OF THE HEAVENLY DOORS OF THE SOULS


The alignment running from stone circles 1 and 2 — the southernmost circles — to the NW subgroup, presided over by stone circle 13, Antares, clearly and precisely shows the revolving of the two ends of the Milky Way, materialised this time in Scorpion chasing Orion across the sky. This ephemeris has already been detected in the alignment of two groups at Artikutza in the Urumea river basin, 0100-03-16 and 17, Ibi Untxi and Gera Suge — pages 399 through 411 of Del crónlech pirenaico, Ed. Txertoa, 1998. The layout of the circles in the NW subgroup is reminiscent of the representation of the Scorpion at Gera Suge, and the alignment of stone circles 1 and 2 graphically evokes the relation already found between the groups mentioned at Ibi Untxi and Gera Suge. The stellar sequence left at the ‘Hesiod group’ had Canis Major to the south at its zenith and the ‘declining Orion’s Belt’, like in 0100-01-18 Lepoko estua, continuing with the two southern stone circles —1 and 2— to the setting of the stars they represent, a faithful reflection of those at Ibi Untxi in synchrony with the disappearance of the ‘north gate’, the gate of men, towards Auza-Peñas de Aia. This seems to be what is said at the nearby Agiña I, announcing the appearance of Antares, a Scorpius, to the left of Pico de Orhi, which continues its path to the peak of the great pyramid. In summary, the group called ‘the heavenly doors of the souls’ is thought to be represented by the alignment running from stone circles 1 and 2 to circle 13 and those around it, and that it is a stellar sequence that is not simultaneously visible which begins with the setting of Orion and the Hare and continues with the passage of Antares over  Orhi’s Peak.

 

In this order of ideas, Franz Cumont is taken into account once more; on page 184 of Astrology and Religion Among the Greeks and Romans, we read: « Among the ancient Egyptians the firmament was conceived as being so close to the mountains of the earth that it was possible to climb up to it with the aid of a ladder. Although the stars had been relegated to an infinite distance in space, the ladder still survived in Roman paganism as an amulet and as a symbol. Many people continued to place in tombs a small bronze ladder which recalled the naïve beliefs of distant ages; and in the mysteries of Mithra a ladder of seven steps, made of seven different metals, still symbolised the passage of the soul across the planetary spheres.» As far as I know, no stairs in the strict sense of the word have been found in the excavations of stone circles. However, the toponymy of some of the mountains does evoke the idea of stairs, such as Pic des Escaliers, located to the north of the Millagate circles — Maila-kate = stair (?). It is true that these speculations, and so many others, can be made with more solid grounds, and therefore it is best to keep them to myself until there is acceptance of the general theory, that is, Psc = star.a.

Tables 3 and 4 show the coordinates of the stars associated with the interpretation that has served, after much trial and error, to arrive at a coherent astronomical solution already seen at other sites. In the second Okabe subgroup, table 3 corresponds to the beginning of the setting of Orion, although it could actually be a moment earlier as at Ibi Untxi —Declining Rabbit?, instead of hare—; table 4 corresponds to the passage of Antares over the pyramid of Orhi’s Peak. The two tables, with the mountains surrounding the stone circles and the witnesses still apparent, help to understand the following solution:

« Circle 13: Antares a Scorpius, with a magnitude of 0.96.
« Circle 14: t Scorpius, with a magnitude of 2.82.
« Circle 15: z Ophiuchus, with a magnitude of 2.56.
« Circle 16: Sabik, h Ophiuchus, with a magnitude of 2.43.
« Circle 17: q Ophiuchus, with a magnitude of  2.43.
« Circle 18: Planet.
« Circle 1: Arneb, a Lepus, with a magnitude of 2.6.
« Circle 2: Rigel, b Orion, with a magnitude of 0.1.
« Circle 21: Alkaid, h Ursa Major, with a magnitude of 2.4.
« Circle 22: Alderamin, a Cepheus, with a magnitude of 2.3.
« Circle 23: Menkar, a Cetus, with a magnitude of 2.5.
« Circle 24: Aldebaran, a Taurus, with a magnitude of 0.85.
« Circle 25: El Nath, b Taurus, with a magnitude of  1.65.
« Circle 26: Alhena, g Gemini, with a magnitude of 1.93.

Table 3    
Star Azimuth Height
b de Orion 248° 58’  1° 26’
a Lepus 238° 29’  -0° 03’
k de Orion 243° 14’ 7° 30’
Pleiades 288° 04’ 0° 42’
a Taurus 275° 05’  6° 17’
b Taurus 280° 20’ 22° 15’
g Gemini 259° 56’ 31° 48’
a Cetus  277° 38’ -19° 42’
e Pegasus 12° 03’  -45° 44’
a Canis Major  228° 57’  14° 27’
a Canis Major 238° 29’  38° 44’
a Lyra 33° 19’ 1° 22’
a Libra 109° 119’ 14° 34’
a Scorpius 104° 28’  -10° 05’
a Boötes 81° 30’  41° 45’
a Virgo 121° 35’  32° 48’
a Corona Borealis 63° 59’  28° 12’



In the proposed alignment, which is basically Orion-Scorpius, the pivot point is assumed to have been located at Ursa Major, represented in this case by a single star, circle 21, which has assimilated to h  UMa located in the path going towards Orion, represented by Rigel in circle 2, after crossing circles 24, 25 and 26, which have been likened to Alhena, El Nath and Aldebaran, corresponding to the alignment in question.Moreover, the alignment refers to another of the representations common to the Pyrenean stone circle: the one depicting the sections of the MilkyWay crossed by the ecliptic,

indicating the doorways to the upper circles. In the northern part the gate of men through which souls would descend, at the height of Taurus and the Twins —circles 24 through 26— and to the south, the gate of the gods, through which the souls of the dead would rise to the resting place of the gods. Both gates are represented at Okabe — the gate of men and the gate of the gods, together with Antares —circle 13— which seems to be signalling the Serpent through Ophiuchus, revealing a clear similarity with the gate already studied at what is today Gerasunko Ataka.
Transposing what has been seen at Gera Suge —Arrival of the Serpent— and adjacent groups to Okabe, circle 18 would represent the ‘carrier of souls’ planet, to which the souls ascended in their passage through the pyramidal Pico de Orhi. This is what the gate seems to indicate, the direction of which is shown in stone circle 13. The same concept is applied as that observed from the dolmen in the southern part of Agiña I, whose cist and principal witnesses point to a snow-capped Orhi seen through the trees in winter on the right-hand fringe of Auza, writing one of the most recurring and precise pages in the other history of the Pyrenean stone circle — the religious history. Seeing it once again at Okabe suggests that for now we should opt for this solution in lieu of others which are apparently more astronomically coherent.


Table 4    
Star Azimuth Height
a Scorpius 125° 14’ 9° 47’
t Scorpius 125° 42’  7° 32’
q Ophiuchus  117° 01’ 1° 05’
h Ophiuchus 110° 46’  8° 29’
z  Ophiuhcus  111° 08’  18° 04’
G Scorpius 124° 14’ -10° 14’
a Lyra 51° 35’ 16° 14’
a Ursa Major   340° 14’  54° 36’
h  Ursa Major 28° 44’  64° 51’
a Auriga  315° 16’  9° 29’
b Taurus 299° 31’ 1° 40’
g Gemini 280° 41’  9° 56’
b Taurus  299° 31’ 1° 40’
a Canis Minor 263° 12’  18° 03’
g Corona Australis 176° 57’ 3° 40’
a Cygnus 33° 22’ 0° 32’



However, it is not a matter of coming up with ingenious solutions, but of gradually unravelling the stellar fabric. Adhering to specific constants, this is what inspired the stone circle within a specific geographical area, which, given its features, corresponded to minimum yet definite conditions. The people who found their sought Promised Land were aware of these features and had the knowledge to imagine and draw attention to likenesses between the sky and the earth.

The tumular nature of a good part of the circles at Occabé might be

explained by the fact that their builders were trying to represent different stories with the circles: in the central group, the story of Hesiod told earlier, and the gate of the gods to one side, were represented with stone circles, whereas the circles representing the gate of man or stars involved in the sequence were represented by tumular cromlechs, or better yet, cromlech-like tumuli, an expression repeated at other places to differentiate stellar ephemerides.
The celestial coordinates for the stars that may have been involved historically when Antares passed over Pico de Orhi are seen in Table 4, in reverse order from the Milky Way as the position shown in the first table. These coordinates faithfully represent, as has been said before, what was found in other groups of stone circles.

Table 4 has been suggested to emphasize a solution inspired in the preceding ephemerides. Although they are important in the Pyrenean stone circle, a good part the solution aims more at precisely marking the gates of the ecliptic as it crossed the Milky Way than at an attempt to indicate astronomical ephemerides, although they are in fact shown. Often, as is the case here, a tumular stone circle — circle 18 — is added, probably identified with a planet crossing the ecliptic at that point. Might the souls have taken advantage of the planets being swallowed by Pico de Orhi to go from Orhi to the planets and ascend to the stars, which, as we know, turned in the opposite direction from the planets, on their way to the resting place of the gods? In addition to what has already been discussed, in Astrology and Religion Among the Greeks and Romans, at page 185, Franz Cumont adds: «Finally, there is a very wide-spread belief of Syrian origin that souls fly to heaven in the back of an eagle. According to the story, Etana in Babylone, like Ganymede in Greece, had been carried off in this way. ... The reason is that in the East the eagle is the bird of the Baals, solar gods, and it carries to its master those who have been his servants in the world below.»

The coordinates in tables 3 and 4 give meaning to virtually all of the prominent witnesses in the group, which follow the stellar sequence of the stars associated with the different ephemerides mentioned in their passage over the outstanding mountains in the area. The positions most worth our attention are those closest to the earth; in other words, the positions of the stars which are lower. In fact, this constitutes a genuine Pyrenean table of simultaneous risings and settings, which are actually the same as the ones we can find in the writings of Aratus, Higino, Geminus or any other classical author, plus in a good number of Babylonian tablets. By interrelating all of the coordinates we come up with a more acceptable comparison between the stone circles and their respective stars, especially when we begin to perceive the similarities that exist between different groups.

With regard to the rotation of Ursa Major, the focus of so much attention throughout the Pyrenees, the toponyms bear testimony to the pursuit of celestial synchronisms today forgotten but once the essence of the Pyrenean stone circle. These names can be found continually from Organbide pass in the enclave of Urkulu to the crest of Organbidesca, the latter of which frames the lower culmination of the Great Bear as seen from Millagate when Sirius closes the sequence reflected in the stone circles there and in the two Orgamendis, located due north of Okabe. In this direction, in the mountains preceding the sites, we can observe the lower culmination of Ursa Major at the rising of Sirius and the upper culmination at the rising of Antares.

Let us move on to stone circle 21 and the small set of stone circles that accompany it, numbers 22, 23, 24, 25 and 26. It was first assumed that the counterpoint to stone circle 13 seen as Antares, at the other end of the Milky Way, might be Orion as it began to set, which on the field corresponded to circle 2 — Rigel. More or less half way between Rigel and Antares, Ursa Major stands out, practically horizontal from a to h. Owing to the fact that circle 21 is closer to circle 13 — Antares — it was thought to be better matched with the h of the Great Bear, Alkaid; this idea was later discarded, leaning more towards the alpha of Corona Borealis or Ariadne, which fits in better in geometrical terms. In addition, adhering to the Pyrenean philosophy of representing the doorway of the ecliptic that crosses the Milky Way between Taurus and the Twins, the three now faded stone circles 24, 25 and 26 correspond to Alhena, El Nath and Aldebaran. In this case circle 23, aligned on the ground with Alhena and Aldebaran, would find its match in the Whale, in what was probably an intentional counterpoint, at the other side of the ecliptic of Aries. This has already been observed in other places such as Burnin Buru, and much later in The Crown. Lastly, it is plausible that circle 22, located at the centre of the group mirroring circle 21 — Alkaid — in the sky represents one of the stars in Cepheus at the centre of the  Milky Way, a kind of repeated symbolism seen at Izurrizti I and Arritxulangaña. 

At the rising of Sirius, the Winter Triangle was completing its formation while the Summer Triangle was breaking up with the disappearance of Altair, to the precise east of which it was replicated by Procyon, while at the same time Regulus prepared to preside over a rising Leo; Orion crowned the pyramid of Pico de Orhi and simultaneously Alkaid performed Ursa Major’s yearly cycle in inferior culmination at the edge of the mountains of the Orgamendis. How could those who believed that the gods wrote signs for men in the sky not build up their hopes? The signs that some of them saw and depicted in stone circles seem irrefutable; it is another thing that errors may have been made in interpreting them. However, it seems that this philosophy has come to us camouflaged in a number of ways — as I will try to demonstrate on another occasion — in spite of some concessions that were made to different syncretisms and despite the total silence surrounding the Pyrenean stone circle for nearly three thousand years — first because due to interest and later to ignorance. That is discretion and that is how history has been written.

Lines have been drawn in sketch 3 to graphically show the stellar sequence of the heavenly doors of the souls and to underline the asterisms comprising them; celestial chart number 2 does much the same.


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